posted on 2024-07-11, 16:19authored byDarren Tofts
At a time when virtual reality designers are seeking to remove the body from immersive experience, Garth Paine's responsive, activated environments (Ghost in the Machine, Footfall, Map 1) make physical presence indispensable to the subtle invocations of the virtual. [Introduction]
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Parent title
Catalogue for Reeds: an interactive sound installation, an exhibition held during the Melbourne International Festival, Royal Botanic Gardens, October-November 2000