Discovering the law again: John Grisham, Ed Stevens, and the postmaterial lawyer

This paper uses three films adapted from the novels of John Grisham, 'The Firm', 'The Rainmaker' and 'A Time To Kill', as well as associated television series like Ed to map a vernacular theory of what I have termed the 'postmaterial' lawyer. Grisham's work has been the focus of much critique by legal scholars who suggests he hates lawyers, is critical of the concept of law, and provides 'outlandishly' happy endings. I will challenge these critiques and, in tracing the history of legal thrillers and trial movies, suggest that Grisham and the related texts' explorations of how a just practitioner can operate in an unjust system constitute a powerful interrogation of what law can be.